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SYZYGY MUSIC FOR FLUTE BY EFRAIN AMAYA
Alexa Still, flute
Audio Sample: Jubilee
syzygy (si-ze-jē) n. moving together for a common goal The very first time I encountered the music of Efraín Amaya, I fell in love with the soaring melodies, the raw energy, the emotion, and the stories. Amaya captures the best qualities of the flute. I believe music lovers everywhere will share my fondness for these compelling works. - ALEXA STILL
ALEXA STILL, flute
ROBERT SHANNON, piano
DARRETT ADKINS, cello ------------- ARAM MUN, flute ------------- TASIAEAFE HINER, wine glass and rain stick
EFRAIN AMAYA, composer
Also on Oberlin Music
OBERLIN MUSIC is the official record label of the Oberlin Conservatory of Music. It celebrates the artistic vision and superlative talent of Oberlin’s faculty, students, and alumni - on campus and on tour. Essential to this mission is Clonick Hall, a superior recording facility dedicated to capturing studio sessions in the heart of the conservatory. Oberlin Music titles are available on CD and digital channels worldwide. For more information, visit oberlin.edu/oberlinmusic. OBERLIN CONSERVATORY OF MUSIC, founded in 1865 and situated amid the intellectual vitality of Oberlin College, is the oldest continuously operating conservatory in the United States. Recognized as a professional music school of the highest calibre, it was awarded the National Medal of Arts, the country’s highest honour given to artists and parts patrons. LABEL DIRECTOR: Michael Straus EDITORIAL DIRECTORS: Cathy Partlow Strauss and Erich Burnett PRODUCER: Paul Eachus AUDIO ENGINEERING AND EDITING: Paul Eachus and Andrew Tripp MASTERING ENGINEER: Paul Eachus GRAPHIC DESIGN: Ryan Sprowl PHOTOGRAPHY: Jennifer Manna (Still), Vanessa Briceno (Amaya), Tanya Rosen-Jones (Shannon) DEAN OF THE CONSERVATORY: Andrea Kalyn Recorded in February, March, and April 2015 at the Oberlin Conservatory of Music. I am especially grateful to Jeanne Baxtresser, for drawing my attention to the music of Efrain Amaya, and to a flute community dedicated to bringing new works to the repertoire. My deepest thanks also go to my wonderful colleagues who joined me in the studio, the sound booth, and beyond. Alexa Still
clevelandclassical.com Review